Monday, January 6, 2020

A Critics Opinion of a Dolls House - 1743 Words

Destiny Maxfield Mrs. Collar Engl. 1302 19 November 2012 A Critic’s Opinion of A Doll’s House In Henrik Ibsen’s A Doll’s House many views could be seen from both sides of the gender world. Critics will argue about the true meaning of the story and why Ibsen wrote the story. The main points of the play that critics discuss are sexuality i.e. feminism, the wrong doing of the father figure, and spiritual revolution. I believe these critics are each right in their own way from my understanding of the play and their ideas about the play. Sexuality or, in the case of A Doll’s House, feminism plays a huge role in how Nora ends the play for the readers. As I read through several criticisms of this play the main one that stuck out to me was how†¦show more content†¦Linde†¦is the victim of an absent father. To support her sick mother and her brothers†¦she married a man she did not love. The absence of her father forced her to seek a new father figure in a rich husband, but he too fails in the rol e. By depicting the father as absent or polluted, Ibsen defames the patriarchal figure† (Rosefeldt). A morally polluted father is the next type that is depicted in the play not only for Nils Krogstad but for Dr. Rank as well. I read that, â€Å"Nils Krogstad†¦he has committed forgery†¦he has covered up the crime†¦every breath the children take in [his home] is filled with the germs of something degenerate† (Rosefeldt). In those times fatherhood stood for everything that mattered in life and society. â€Å"Fatherhood is connected with a moral disease that will infect and destroy the lives of the children† (Rosefeldt). Paul Rosefeldt also explains that, â€Å"†¦because Rank’s father kept mistresses and contracted syphilis, Rank inherited the disease†¦must suffer for ‘somebody else’s sins’†¦fatherhood itself is connected to universal pollution† (Rosefeldt). Nora is told several times she is just like he r father which keeps on with the polluted father figure, â€Å"her carelessness about debt, Helmer states that she is ‘exactly the way your father was’†¦Ã¢â‚¬â„¢all your father’s flimsy values have come out in you’†¦the father has passed on his corruption to his child. But the influence was also passed on toShow MoreRelatedKatherine Mansfield s The Garden Party And The Doll s House Essay1954 Words   |  8 Pageswithin her writing (The Garden Party and The Doll’s House) which was influenced from her upbringing and childhood Katherine Mansfield was a 1900’s modernist writer of short fiction who was born and raised in a socially prominent family in Wellington, New Zealand. Much of her work was strongly themed around issues such as classism, a woman s place in society, sexuality, adulthood and also grief. The central theme in Katherine Mansfield’s stories The Doll’s House and The Garden Party centres around theRead MoreBibo1025 Words   |  5 Pagespaper. Feminism Fiction Brunnemer, Kristin. Sexuality in Henrik Ibsens A Dolls House. In Bloom, Harold, ed. Human Sexuality, Blooms Literary Themes. New York: Chelsea House Publishing, 2009. Blooms Literary Reference Online. Facts On File, Inc. Web. 6 Nov. 2012. In this article, Kristin Brunnemer explores writer Henrik Ibsen and the transformation of Nora, the main character in Ibsen’s â€Å"A Doll’s House† (Brunnemer 1). 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Nora is the pampered wife of an aspiringRead MoreA Dolls House As A Tragic Hero Analysis967 Words   |  4 PagesOedipus Rex, Sophocles laid the foundation for what is now considered the ideal tragic hero. Within A Doll’s House, Ibsen creates a modern hero in Nora Helmer; a woman who was oppressed for going against social rules for saving her husband. Nora follows the Aristotelian journey of a tragic hero, from hamartia through her tragic fall into catharsis. She is considered a modern day heroine, but critics argue that Nora does not represent the classic tragic hero because she does not have a reversal of fortuneRead MoreFeminist Analysis : A Doll s House1001 Words   |  5 Pageswidespread acknowledgment of the female being inferior, women began to accept their lesser status. Female critics â€Å"look at the depiction of women in male texts in an effort to reveal the misogyny (negative attitudes towards women) lurking there† (Dobie 106). This means critics look at mistreated women in texts. Such as blanks, unfinished sentences, and even silences. Henrick Ibsen’s, A Doll’s House, captures the unfavorable gender-role of oppressed women who are treated as mere â€Å"dolls† played by men

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